On top of that, I also turn my hand to the odd bit of programming here and there, and have worked on a number of features in Dorico (some of the things I worked on in Dorico 4 include the jump bar, automatic score ordering, user project templates, the ensemble picker, the features in Engrave mode to move bars between systems, etc.). And I also, of course, am the originator and specificiation editor of the SMuFL standard for music fonts, and am one of three co-chairs of the W3C Music Notation Community Group, which has responsibility for SMuFL, MusicXML, and the in-development MNX music notation format. I also have a marketing component to my role, though these days I am very fortunate to have a colleague dedicated to marketing working alongside me. I’m Dorico’s product manager, so I’m the primary conduit between our customers and our development team, and I have responsibility not only for prioritising and scoping/designing features, but also for business planning, strategic development of the product line, coordinating with other product teams in Steinberg, and more besides. If you want to read more about our story, there are plenty of places online where you can find out more about what happened to us! We were incredibly fortunate that Steinberg wanted to hire as many of that original team as it was able to, and a dozen of us established a new London office to start work on what would become Dorico in November 2012. I joined in 2012 after Avid disbanded the original Sibelius development team. I’ve been with Steinberg for nearly 10 years.
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